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CHINEZE OKPALAOKA

/ ' chee neh zay / · storyteller, artist, vessel, witness, dreamer
  • about
  • work
    • paintings
    • projects
    • photos
  • shop
    • originals
    • prints
  • journal
  • contact
  • portfolio
  • linkedin
  • twitter
  • instagram
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heavy is the head that wears the crown #FTLOBG

July 14, 2022

The popular Shakespearean quote after which this visual series is named is often used to refer to the weight of responsibility and sacrifice that comes with bearing one’s name, one’s title, one’s crown. In a time when Black women and girls must still fight against hair discrimination in schools and in the workplace, this project investigates the cost of beauty and celebrates the beauty of Black hair. By disrupting the shame many Black women and girls have often carried for their crowns, this project also addresses the privilege of cultural appropriation—which is to say, that many who covet and attempt to impersonate Black hair and Black culture would never embrace the totality of our experiences. #FortheLoveofBlackGirls

“Black girls are trained early in beauty salons to smell smoke on themselves but to never yell ‘fire’.”
— Dara Mathis, Shedding the Shame of a Black Girls' Broken Edges

Story: Black Girl Miracle
Creative Direction and Photography: Chineze Okpalaoka
Cinematography: Matelli Graves
Hair: Mabintu Kanu
Makeup: Cassandra Owusu
BTS: Golder Baah
Models: Grace Tieko, Michelle Akomea, and Jennifer Angel
Studio: Sunup Studios

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Featured Posts

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heavy is the head that wears the crown #FTLOBG
Jul 14, 2022
heavy is the head that wears the crown #FTLOBG
Jul 14, 2022

In a time when Black women and girls must still fight against hair discrimination in schools and in the workplace, this project investigates the cost of beauty and celebrates the beauty of Black hair.

Jul 14, 2022
for the love of black girls.
May 5, 2022
for the love of black girls.
May 5, 2022

“Our laughter is a holy hymn: it preaches sermons, disrupting service, making servants of our grief…”

FTLOBG an invitation to reimagine our personal histories; an observation of what it means to feel at home in one’s body; a reconciliation of the childhood selves we have either outgrown or been forced to leave behind.

May 5, 2022
i opened my mouth and found an amen.
Aug 25, 2020
i opened my mouth and found an amen.
Aug 25, 2020

“I opened my mouth and found an amen, pulled from the throats of women searching for the heart of God. I opened that amen and found my grandmother’s praying hands, calloused from years of raising children that were not her own..” — Titilope Sonuga

Aug 25, 2020